My 30 Best Albums of the Decade: 20 - 16

Moving along, I wish I knew who the hell Taylor Swift was, so Kanye West could chime in and deprive her of a place on this chart.

#20: Encore - Eminem: Simple: If an album samples Martika, and also contains the lyric "Fuck Bush", I'm in all likelihood going to enjoy said album. Not my favorite Eminem disc, probably because it's a little muted in comparison to his earlier recordings. He's obviously an enigma and few musicians can spark as much love/hate opinions as him (really, do you know anyone who thinks "Eminem is OK"?), like everything else these days - likely fashioned by the media. But I'll get into that a little later cause methinks he'll be appearing on the countdown again. This album rocks because of the track "Mosh". It should have been released around Labor Day (not 10 days before the election), because it caught the essence of the 2004 election: We're not coming out to vote for John Kerry - We're coming out to vote because Bush/Cheney is the most dangerous threat to our democracy since the day before the Emancipation Proclamation was signed. John Kerry was a hard guy to get behind, but the vitriol for Bush that Mr. Shady put forth here summed up the motivating factors behind George Bush receiving the most "votes against" ever by a President running for re-election.

#19: In Between Now and Then - O.A.R: The first of three bands I really got into this decade makes it's debut. Now, O.A.R studio is a far cry from O.A.R live - which is much more enjoyable music. Still, of all their studio work, this one seems to rise above the rest in terms of quality of the tracks. Their lyrics are a tad sophomoric and I think they try a little too hard to be like other tour-bands, but at the end of the day, they're a fun band to throw on the machine. Hey Girl and Dareh Meyod highlight the album and also translate very well on their live discs. Never been to one of their shows, as scheduling conflicts seem to arise every summer as our time gets burglarized by commitments we'd really rather not honor, but one of these days, I'll hit them up. Guess I should start collecting party beads now.

#18: Broken Boy Soldiers - The Raconteurs: Jack White was to good 00's music as Ryan Seacrest was to annoying, poppy, fluffy, tabloid supermarket crap this decade - He was everywhere. I chose Ryan Seacrest for the analogy because he was pretty much the anti-Jack White. While White was involved in near-iconic albums throughout the entire decade, Seacrest was fluffing up his overexposed resume with such tripe like A Celebration of Heroes with George W. Bush and of course, the decade's septic tank: American Idol. He even took over for the indestructible Dick Clark on New Year's Eve, although Clark still made his appearances and I was supposed to not crack up laughing at them after 20 beers. Riiiight. Anyway, Broken Boy Soldiers is pretty much everything rock'n roll should be, rock at its roots. Intelligent lyrics that capture the essence of just being a human, along with solid intros and exceptional music. Really can't say a bad thing about it. And America didn't have to vote via text-message to approve of it.

17: Float - Flogging Molly: Of all the things I'm grateful for this decade - you know, stuff like getting married and Eli Manning - few things have impacted me the way that the music acquisition practices have changed. I've always felt that the Irish do 3 things better than any other culture: Drink, Make Breakfast, and Play Music. For most of my life, Irish Music was limited to the traditional folk songs and some rebel rock like the Wolftones. Because that's what I had access too. And then came the internet music explosion. And then came Flogging Molly. Formed in LA with a frontman from Dublin, they pretty much encompass everything I've always loved about music. And their subject matter touches all bases: relationships, war, peace, politics, rebellion, family, and of course, the unique Irish perspective on alcohol. Float is their most critically acclaimed album, probably because it's their most mature. A worthy investment, the album's perfect for a big party, a solitary commute and everything in between.

16: Modern Times - Bob Dylan: Something tells me that if I were to rank the top 30 albums of previous decades in my collection, this would make it the 5th consecutive decade that the Legendary Bob Dylan would rank in the top 20, as The Freewheeling Bob Dylan was probably the greatest album of the 1960s, Blood on the Tracks would hold the exact same honor for the 1970s, Infidels would have some stiff competition but would rank among the 80's best, and Time Out of Mind would do the same for the 1990s. What else is there to say about a man who continues to impress and amaze as he pushes towards his 6th decade in the spotlight? Modern Times basically takes a little bit of the definitive "Dylan Sound" that we're all accustomed to - from classic folk, to rock, to blues, sometimes all blended together - and adds the wisdom of a lifetime of experience by the greatest lyricist in American History. It's also the 23rd consecutive album to disprove the common misconception that "All Dylan sounds the same" yet the fallacy lives on.

One of the true enigmas of the last 50 years, I can't even begin to explain what my life would be like without Bob Dylan so I'm not going to bother. It's no wonder Dylan's favorite ballplayer is Derek Jeter.

My 30 Best Albums of the Decade: 30 - 26

Disclaimers:
1. These are my personal favorites, not a definitive list. I'm not a music critic, personally I think music critics, and people who think they are, should shampoo my scrotum.
2. Live Albums are not elligible. O.A.R. is the biggest loser here cause 33rd & 8th would be top 10. As would DMB @ Fenway. But it's an unfair advantage
3. No compilation soundtracks, comprised of pre-decade already recorded songs. All apologies to Almost Famous, which would rank very high. However, if a soundtrack was created and recorded specifically for a movie or play, that would qualify. But Chicago still didn't make it.
4. There is no Coldplay on my list cause I refuse to take part in a world that treats Bon Jovi as campy fluff rock while considering Chris Martin the British answer to Bob Dylan. I don't care how many trees he's planted.
5. Only albums which I own are elligible, so if I don't have it, I cant rank it.

Without any further delay, let me get this started:

#30: In Rainbows-Radiohead: I'm not as into Radiohead as I should be but this album did me solid. It's a rare unshuffleable (new word) album, reminiscent of pretty much everythin Pink Floyd's ever done - you kinda gotta let this album play out from start to finish, which you don't find happening too often. But I'm not kidding myself, I own this album because it was free to download. It could have sucked and it would have made the list because frankly, the recording industry owes me. I've sunk a lot of money into buying music over the last 25 years or so. I don't think that 99 cents for a song is insane, nor is 10 bucks for an album - but what about when I was dropping $16 for a Slippery When Wet cassette? You raped me Mercury Records! It was nice to finally win.

#29: Us Against the Crown-State Radio: Thank goodness for these guys. With Sublime and Bob Marley dead, I was prepared to spend the rest of my life without ever hearing another album that made me want a J, an IPA, a 70 degree afternoon and a hammock. State Radio provided and I am eternally grateful. The funny thing is, I never spend such afternoons with the aforementioned provisions, even though I have a hammock and can easily attain at least the IPA. Yet every winter I convince myself that I'll be spending a glorious afternoon doing just that when May rolls around. But the reality is, I'm pulling weeds and spreading mulch and hanging screen windows. FML.

#28: Dear Catastrophe Waitress-Belle & Sebastian: In the middle of the 00's I found myself DVR'ing reruns of "Dharma and Greg" on WE. Partly because I missed any and all TV that debuted in the late 90s, but mainly because, hell, I enjoyed it. It was hard to describe. As I would watch it, I would say to myself: I really should just put my testicles in a box and throw them in the Hackensack River cause it's hard to reconcile the production of testosterone with the viewing of D&G, but F it, I love this show and I'm not gonna apologize for it. Well, that's pretty much how I feel about this album.

#27: Late Registration-Kanye West: Much like the Cheesy Potato Burritos from Taco Bell, I can't make up my mind if Kanye West impresses or repulses me. Probably a little of both. He tied Joe Namath for the greatest unscripted moment on live television of the decade when, during the Katrina fundraiser, he said "George Bush doesn't care about black people". Heck, it was worth the Red Cross donation to see Mike Myers' face when it all went down (and you know, helping people out too). But on the flip side, this dude just absolutely loves himself to the point where you think he should have been an NFL Wide Receiver instead. But this album for the most part is quite entertaining, some good driving music (which I've come to appreciate more and more since buying a house 35 miles from work during the worst possible time so I aint gettin a shorter commute anytime soon), and plus, what kind of graduate of NJ's Public Liberal Arts college if the only rap album on my countdown was by a white dude?

#26: Good News for People Who Love Bad News-Modest Mouse: This album is raw, in a very good way, especially for the diversity of sounds on it. But thats sounding too much like a critic. In reality, this is just a great album to put on when you gotta get shit done, another practice I've grown to appreciate. Let it fade into the background and get to work. Preferably not on cheap earbuds though. Like I said, this album's raw. More fun useless countin down to come as the decade hits the home-stretch.