Showing posts with label Music Madness. Show all posts
Showing posts with label Music Madness. Show all posts

Tuesday, March 13, 2012

DMB MARCH MADNESS 2012

The Whiskey Tree is coming out of semi-retirement because (A) March is awesome and (B) Dave Matthews Band is hitting the road again this year. Combine the best of both and you get DMB MADNESS 2012. 

Rules are simple. Just vote in each region. Check back here or on twitter or FB (links to the right) to see who advances and when the next rounds begin.




Happy March! 

Tuesday, July 13, 2010

Music Madness: Charlottesville Sweet 16

Slowly, slowly, slowly getting through this. The end is near. Not really, but it's that much closer. And it shall be even closer after I blow through these two interesting matchups.

Box Score Keys: EC (Entire Collection - 3 pts), DA (Defining Album - 2), PC (Personal Connection - 2), DS (Defining Song -1), HI (Historical Impact -1)



(1) Dave Matthews Band v (5) Billy Joel
How They Got Here:
DMB: def (16) Queen 8-1, (8) Elvis Presley 8-1
BJ: def (12) Rage Against the Machine 6-3, (4) U2 5-4
Box Score:
EC: Admittedly a strong case could be made for either. Billy Joel cut his last new album (River of Dreams) within months of DMB's first (Remember Two Things). In the last 5 years, I've drank overpriced beer in the presence of both. However, there are so few chinks in Matthews' armor, and they've kept on keepin on for so long now that despite the tough competition, this one goes their way. ADV: DMB
PC: I got my first Billy Joel album, Storm Front, for Christmas in 1989. Early in 1990, I bought the double-cassette Greatest Hits Volumes 1 & 2. Remember those bulky motherfuckers? They wouldn't fit in a standard cassette holder/case unless it had a few slots specifically defined for them, hence making it impossible to sort your collection in any semblance of order? Reason #175 why I prefer digital music collections. Back to the point. Billy carried on through high school and college, the collection of impacting tunes litters my memory: "Piano Man", "Goodnight Saigon", "Scenes from an Italian Restaurant", "Only the Good Die Young", "Downeaster Alexa" and so on and so forth. But Matthews is something different. Something spiritual. I'll explain in the next round, because by taking this  category, he's already advanced. 
ADV: DMB 
DA: In the list of Sweet 16 defining albums, The Stranger checks in at  14. Crash makes the Top 5. ADV: DMB
DS: "Piano Man" may not be my favorite BJ tune, but as I had previously mentioned, sometimes the song picks the artist. He's known as The Piano Man for Christ's sake. An artist like DMB, there's more latitude - which isn't always a good thing because trying to come up with one is a recipe for spending $5 on a bottle of Excedrin. I went with "Two Step", and it checks in at #4. 11 spots ahead of "Piano Man" ADV: DMB
HI: DMB's yet to win this and this is their best chance yet. However, stepping away from my bias, Billy Joel ranks among the best of the singer/songwriters that defined much of the 1970s. Actually, he is THE best. The Piano Man avoids the shutout. ADV: Billy Joel
 
FINAL SCORE: DAVE MATTHEWS BAND 8 - BILLY JOEL 1
 
 
(2) The Doors v (3) Pink Floyd
HOW THEY GOT HERE:
DOORS: def (15) Dropkick Murphys 9-0, (10) Jay-Z 5-4
FLOYD: def (14) Arctic Monkeys 9-0, (6) Phish 9-0
 
EC: What a battle of heavyweights we got going on here. Starting with this category and extending all the way through, these are almost as close as you can get - nothing comes easy. Obviously neither is contributing to their collections anymore (or recently for that matter) but there's no way to over-state how stellar both are. The Wall. L.A. Woman. Dark Side of the Moon. The Soft Parade. Wish You Were Here. The Doors. Animals. How do you pick a winner here? I'm going Doors but if you disagree, I don't blame you. Tomorrow I could say Floyd. I just think every single Doors album is a masterpiece. Then again, most Floyd is too.
ADV: Doors
DA: Another one that's  very close. I have Dark Side of the Moon three spots ahead of The Doors. And I feel dirty about picking against either.
ADV: Pink Floyd
PC: Oh I don't know how strongly I can go into my personal connection to Pink Floyd, this being the Internets and all. Just take my word for it. Especially if you ever spent 6 hours sitting in a Pine Hall bathroom with the black light on listening to Pulse. The Doors, different story. It was actually the Oliver Stone 1990 movie that turned me on to them. For the first time ever, I was seeking out music that wasn't played on Z-100 or Power 95. I was chastised by nuns for making Jim Morrison the centerpiece of an art project. Fucking nunts. I'm not saying they're the most influential band of my life, but they were personal pioneers. They take this down, and with it, they move on.
ADV: Doors
DS: Just as close as personal connection. I barely, barely, barely have "The End" edging out "Shine On You Crazy Diamond". So barely. If it were anymore bare, it would be arrested for indecent exposure.
HI: Yet another tight one. And really, I feel horrible for Pink Floyd because they're coming up short in the box score but each category was so close. I think the Doors were the first ever "Fuck You" band. And I like that. ADV: Doors
 
FINAL SCORE: THE DOORS 7 - PINK FLOYD 2
 
 
 

Wednesday, June 16, 2010

Music Madness: Liverpool - Sweet 16

Forgive me if I'm a little disheveled this morning. I'm still coming to grips with what I will heretofore refer to as The Great Hanson Riots of 2010. I've been slacking a bit of late, but I want to make the nuns proud and follow the words of wisdom laid out by Sammy Hagar and Eddie Van Halen - Finish What Ya Started.

Today's region brings what should be a blowout on paper as the 1 seed takes on Cinderella, and a very, very intriguing 2 v 3 match up.

Confused? Here's all you need to know 
Box Score Keys: EC (Entire Collection - 3 pts), DA (Defining Album - 2), PC (Personal Connection - 2), DS (Defining Song -1), HI (Historical Impact -1)



(1) Beatles v (12) Sublime
How They Got Here:
BEATLES: def (16) Kings of Leon 9-0, (8) Wolffe tones 9-0
SUBLIME: def (5) Jimi Hendrix 5-4, (4) Johnny Cash 5-4
Box Score:
EC: Sublime is yet to win this category, which makes it even more impressive that they've advanced, as this is the most valuable one. And for the third straight time, they fail to win it. Does it mean good things ahead? ADV: BEATLES
PC: This is where the upstarts have made their noise, as I've mentioned the youthful, fun, illicit, illegal and bizarre memories set to their soundtrack. But that ends here. We're talking about the Beatles here. The one cool band my parents liked. The Babe Ruth of 101.1 CBS FM. Like most, I had a strong Beatles foundation to begin with, but going off to school, discovering each album on an individual basis, it was a whole new experience some 25, 30 years after their release. You can't just write off something like that. ADV: BEATLES
DA: This is officially in the books. Now it's just a matter of seeing if the Liverpudlians can match Dylan's 27-0 categorical start. Of the 16 teams to advance to the regional semi-finals, Sgt Pepper's Lonely Hearts Club Band ranks 6th among all albums. 40 oz to Freedom, though I love it so, comes in 16th. ADV: BEATLES
DS: "Hey Jude" you're number 11. If you're "Waiting for My Ruca", you'll find her at thirteen. ADV: BEATLES
HI: Like comparing Thomas Jefferson and George W. Bush. Yeah, they were both Presidents and all, but...ADV: BEATLES

The fairytale is over, it's down to the big boys now. And John, George, Paul and Ringo carry their undefeated streak into the Elite 8.

FINAL SCORE: BEATLES 9 - SUBLIME 0

(2) Led Zeppelin v (3) Pearl Jam
How They Got Here:
ZEPPELIN: Def (15) Raconteurs 9-0, (10) Willie Nelson 9-0
PEARL JAM: Def (14) Radiohead 9-0, (6) Rolling Stones 8-1
Box Score:
EC: What a battle of heavyweights we have going on right now. With the release of Backspacer, Pearl Jam has expanded their resume into some rarefied air. 9 albums. 18 years. Many classics among them. Most impressive, in my opinion, is that they're best 5 consist of their first 3 and last 2. Could it be that I was into other things in the middle? Maybe. Zeppelin likewise has 9 major releases to their name. And maybe it's because of the aforementioned middle-gap with Pearl Jam, but I have to declare this one to be property of Led Zeppelin. ADV: LZ
DA: On that chart I just mentioned, Zeppelin's Houses of the Holy comes in at a very respectable #9. That's eight spots behind Ten. You can do the math on that one. ADV: PJ
DS: I felt there was no choice but to name "Stairway" the defining Zeppelin songs. Some artists, I can make the choice. Sometimes, the choice makes itself despite what I may think. Bob Dylan's "Like a Rolling Stone" may be his most popular tune, but it's not the song that the masses define him by. The only other comp I can come with here is the relationship between Lynrd Skynrd and "Free Bird". I may prefer "Going to California" or "The Immigrant Song" personally, but "Stairway" it is, and that's ranked #10. Regardless of which song I went with though, it wasn't touching the fabled sheets of empty canvas. ADV: PJ 

HI: Hitting the homestretch at a 3-3 tie, could one expect any less? I struggled with this one and here's why: I grew up with the notion that Led Zeppelin was already classic rock. By the time I was buying music on my own, they were done making it, about 18 years after their debut. However, now we're 18 years into Pearl Jam's popular existence. Is it not time that they enter the same pantheon? I think it is. But some states of mind are impossible to exit. I still view the two in completely different ways. Maybe I'm holding on to the idea of youth, but I have to call this one for Zep. ADV: LZ 
PC: My favorite category. And I've probably made it clear already. I'll explain more in the Elite Eight how strong the bond is as they go head-to-head with the Undefeated Beatles - a connection match up that I have no idea how it may shake out. But Pearl Jam's going to be a tough beat in this category. For all comers. ADV: PJ 
FINAL SCORE: PEARL JAM 5 - LED ZEPPELIN 4 

REMAINING SCHEDULE
Charlottesville Sweet 16
(1) Dave Matthews Band v (5) Billy Joel
(2) The Doors v (3) Pink Floyd
San Francisco Sweet 16
(1) Grateful Dead v (4) Bob Marley
(2) Bruce Springsteen v (3) Simon & Garfunkel
The Village Regional Final
(1) Bob Dylan v (2) Guns N Roses
Liverpool Regional Final
(1) Beatles v (3) Pearl Jam.

  

Thursday, June 3, 2010

Music Madness: The Village - Sweet 16

It's regional finals time. Finally. Getting down to the nitty gritty and the developing story in this region is simple: Can anybody put a chink in Bob Dylan's armor? Two matchups. 5 Categories each. In those 10 categories, nobody's come close to registering a point.

Our other matchup should be closer. Party like it's 1988 and the top selling records are New Jersey and Appetite for Destruction.

For the curious among you, all rules, criteria and regulations can be found right here.

Going to switch up the format a tad, provide a bit more background since we're down to 2 matchups in the region.

Box Score Keys: EC (Entire Collection - 3 pts), DA (Defining Album - 2), PC (Personal Connection - 2), DS (Defining Song -1), HI (Historical Impact -1)

On to the action:
(1) Bob Dylan v (5) Red Hot Chili Peppers
How They Got Here:
DYLAN: def. (16) Skid Row 9-0; (9) Jack Johnson 9-0
RHCP: def. (12) Aerosmith 8-1; (4) White Stripes 8-1

BOX SCORE:
EC: RCHP have a vast and impressive one. They're still going strong. Bob Dylan's collection is 100 times better. And he's still kicking. ADVANTAGE: DYLAN
DA: Of the remaining 16, Dylan's Blood on the Tracks ranks 3. Blood Sugar Sex Magik is 13. ADV: DYLAN
PC: I haven't ranked these 1-16 yet, partially because I don't want to ruin my own personal suspense, but also because I think more than any other category, this needs to be a direct Head to Head. I have many memories shared with the Peppers contributions to my life's soundtrack. The summer of 2006 was underwritten by "Snow". But being "into Dylan" is life defining. I can't say that I look down upon people who don't get Bob Dylan. Unless they also profess to love music. Then it's inexplicable. Being into Bob Dylan is part of one's character. It doesn't get more personal than that. ADV: DYLAN
DS: "Hurricane" ranks #3. "Under the Bridge" #16. Not even close. ADV: DYLAN
HI: Does not even need to be discussed. ADV: DYLAN

FINAL SCORE: BOB DYLAN 9 - RED HOT CHILI PEPPERS 0

(2) Guns N Roses v (3) Bon Jovi
How They Got Here:
GNR: def (15) Weezer 9-0; (7) Stevie Wonder 5-4
JOVI: def (14) Counting Crows 9-0; (11) Metallica 7-2
 
BOX SCORE:
EC: No real room for debate here, unless you were to argue that proportionately, the Guns' is better. And if not for most of Use Your Illusions I  and The Spaghetti Incident and technically, Chinese Democracy, that might be the case. But the Jersey boys have been cutting quality work for almost 30 years now. Wow. 30 fucking years. That's longer than the Beatles work had existed when I first got into them. ADV: BON JOVI
DA: Slippery When Wet was the first album I ever loved. I had three albums before that: Thriller, Born in the USA, and A Different Light. (Use the google for that one). But Slippery was the first one I truly got into. I remember coming home in 4th grade and putting the record (yes, vinyl) on and listening to it all the way through. But about 2 years later, there was Appetite For Destruction. I remember being amazed that you could say "Fuck" in a song. There was something so rebellious about the album at the time. Just as I was coming into my own. Just as I was beginning to define myself and formulating my own opinions. I still listen to both of the albums. Slippery is nostalgic. Appetite still resonates today. Slippery is #8 of all remaining albums. Appetite is 3. ADV: GNR
PC: Much like what I said about Dylan, there's a special class of us who still revere the Guns some 25 years later. Don't matter that Axl's batshit crazy. Don't matter that we're never seeing a reunion. Don't matter that Slash is becoming a bigger pitchman than Billy Mays. There's a sum of 3 albums for the Guns: All of Appetite, all of Illusions II, 1/2 of Illusions I and side B of Lies. If you've been listening to them for the last quarter century, it's impacted you.
Bon Jovi's done the same. When you're from Jersey, you feel a certain ownership of Bon Jovi. Like Springsteen, "The Sopranos", Diners and Joe Piscopo. Interesting (not really) trivia: I danced with my wife to "Never Say Goodbye" at our 8th Grade Graduation Dance, our Senior Prom, and our Wedding. And it was a "focal" song at all three. Not some generic "Chicken Dance". That's not some random occurrance. That's staying power. That's a contribution to my life, to our lives. That is a personal connection. But it's a different connection. Bon Jovi is where you're from. Guns N Roses is who you are. ADV: GNR
HI: Guns N Roses needs 1 more point to move to the Elite Eight. They won't find it here. Their moment was fleeting, while Bon Jovi carries on. They've seen a million faces. And they've rocked them all. ADV: BON JOVI
DS: So it comes down to the defining song. One fluke category for the right to call yourself a "VILLAGE REGIONAL FINALIST IN A MAKE BELIEVE TOURNAMENT OF ONE MAN'S 64 FAVORITE MUSICIANS". Can you feel the pressure building? The tension? The drama? "Living on a Prayer" checks in at number 8. "Estranged" checks in at number 5. And that might be an insult to it. ADV: GNR 
 
A very close matchup. Probably the closest yet. But we keep to seed here. Bob Dylan, "Welcome to the Jungle". 
 
FINAL SCORE: GUNS N ROSES 5 - BON JOVI 4. 

Wednesday, May 26, 2010

Music Madness: San Francisco Region: Round 2

Ass Whoopin Central. The Four matchups have an aggregate winning score of 25-2. But today's blowouts are tomorrow's nail biters if we have this many of the big dogs squaring off. And major competition is lying in the weeds.


Like Torquemada said, all Rules and Criteria can be found here!


SHUTOUTS
(1) Grateful Dead v (9) Green Day. Who's the real "GD?" I love Green Day. Mike Francesa loves Green Day. The most competitive category here was the "All-American" album battle -  Beauty Idiot. And as good as Idiot is, it can't beat this lineup.
FINAL SCORE: GRATEFUL DEAD 9 - GREEN DAY 0


(3) Simon & Garfunkel v (6) Allman Brothers Band. Allmans are competitive in song ("Melissa") and album (Eat a Peach). But Tom and Jerry are better ("Sound of Silence", Bridge Over Troubled Water)
FINAL SCORE: S&G 9 - ALLMAN BROTHERS 0


(2) Bruce Springsteen v (7) Eminem. No disrespect at all to the real Slim Shady, but there ain't a single item here up for debate.
FINAL SCORE: SPRINGSTEEN 9 - EMINEM 0


BLOWOUTS
(4) Bob Marley v (2) Motley Crue. Sue me, I think Dr Feelgood is better than Uprising. But that's all Vince and Company claim.
FINAL SCORE: BOB MARLEY 7 - MOTLEY CRUE 2


That closes the book on Round 2. Now it gets super-interesting with the Sweet Sixten:
The Village Region
(1) Bob Dylan v (5) Red Hot Chili Peppers
(2) Guns N Roses v (3) Bon Jovi
Liverpool Region
(1) The Beatles v (12) Sublime
(2) Led Zepplin v (3) Pearl Jam
Charlottesville Region
(1) Dave Matthews Band v (5) Billy Joel
(2) The Doors v (3) Pink Floyd
San Francisco Region
(1) Grateful Dead v (4) Bob Marley
(2) Bruce Springsteen v (3) Simon & Garfunkel


Some random (and for the most part obvious) notes:
  • San Francisco is the only region to keep to form in terms of seeding.
  • DMB is the only 1 seed who has lost a category (twice)
  • 6 entrants are yet to lose a category: Dylan, Beatles, Zepplin, Pink Floyd, The Dead, Springsteen
  • The highest combined scores in a Sweet 16 matchup go to Zepplin/Pearl Jam, and Simon & Garfunkel/Springsteen (35 points)
  • The lowest is DMB/Billy Joel (27)
As a bit of a teaser, I have ranked the remaining Defining Albums. This is only 2 points per matchup, so this absolutely does not reflect who will beat who overall...
  • 1 Ten
  • 2 Appetite for Destruction
  • 3 Blood on the Tracks
  • 4 American Beauty
  • 5 Crash
  • 6 Sgt Pepper
  • 7 Dark Side of the Moon
  • 8 Slippery When Wet
  • 9 Houses of the Holy
  • 10 The Doors
  • 11 Bridge Over Troubled Water
  • 12 Born in the USA
  • 13 Blood Sugar Sex Magik
  • 14 The Stranger
  • 15 Uprising
  • 16 40 Oz to Freedom


Thursday, May 20, 2010

Music Madness: Charlottesville Region: Round 2

One extremely competitive match between two heavy hitters, but the other three contests were so lopsided that President Obama would be jealous. The only thing of import there is that the 1 seed in the region has yet to record a shutout. Is that a harbinger of things to come?

As the framers would say, Rules and Criteria can be found here.

SHUTOUT 
(3) Pink Floyd v (6) Phish. Phish pays the bill for their controversial Round One victory over Public Enemy. There's no category here that they're remotely competitive in. I'd explain about personal connection to Floyd, but the internets really isn't the best place for that. 
FINAL SCORE: PINK FLOYD 9 - PHISH 0

BLOWOUTS 
(1) Dave Matthews Band v (8) Elvis Presley. For the second straight round, DMB concedes the historical impact category. Maybe it's just the draw. Maybe it's a potentially fatal flaw. Lucky for them, it's only 1 point, while they rank at or near the top in "connection". They move on. 
FINAL SCORE: DMB 8 - ELVIS 1 

(2) The Doors v (7) Jay-Z. I give Jay Z the Impact. You kind of have to. Being older doesn't mean being better. I also give him the Song. Boy it's tough to go against "Empire" isn't it? But the Doors take the Album, The Doors,  the collection, since everything they've cut is a timeless classic, and the personal connection, as I remember being told by a nun in 8th grade that "Jim Morrison is not a positive role model". I'd love to have that conversation with her today, as my retort would be  at least he was never a Nazi.
FINAL SCORE: THE DOORS 7 - JAY-Z 2

NAIL BITER
(4) U2 v (5) Billy Joel. This was probably the closest "Entire Collection" decision to this point. Both contestants rank really high, like Top 15 high or better if you were to rank the whole field 1-64. After spending about a full commute thinking about it, I have to give the category to the Piano Man. There are no real holes in his collection, as U2 has a pretty gaping one, in my mind, from 1993 - 2000. Granted Billy Joel hasn't exactly been churning out the albums for the past 20 years, but at least he doesn't have any that suck (*cough* Zooropa and Pop). 3 for the Pride of Long Island. 
The Irish strike back though, when we get to the album category. Joshua Tree - by a margin so thin you'd expect anorexia - over The Stranger. 2 points to U2. Seriously, Joshua Tree might be in the Top 10 all time. U2 also claims victory when it comes to the defining song. I love a lot of Billy Joel songs, and my favorite just might be "Leningrad". But it's impossible to say his defining song is anything other than "Piano Man". And as much as I love that as well, I prefer the anthem "Pride (In the Name of Love)".
Impact was another tough decision, but I go with U2 simply for their global appeal. Billy Joel may be a bigger name in the States (debatable, cause I am prone to a very justifiable NY bias). But U2's arguably the biggest active band in the world.
All of this brings us to a 4-3 lead for Bono and company, with only personal connection left. I have a strong connection to U2. One of the 10, maybe 5 best concerts I've ever seen (though Billy ranks nearly as high). They're Irish. They're political. But I bought Billy Joel's Greatest Hits: Volume I & II at the Sam Goody in the Paramus Park Mall in 1989 and I don't think I've gone more than 2 weeks in my life w/o listening to Billy since. "Scenes from an Italian Restaraunt" was one of the 5 most played songs after Midnight of my collegiate life. "We Didn't Start The Fire" is the same for gatherings with my in-laws. Billy is King.
FINAL SCORE: BILLY JOEL 5 - U2 4

The Sweet 16 in C-Ville:
(1) DMB v (4) Billy Joel. I smell some serious vulnerability for the top dog.
(2) The Doors v (3) Pink Floyd. I'm facing some Long, Seriously Deep thinking on this one.

Tuesday, May 18, 2010

Music Madness: Liverpool Region: Round 2

Two Shutouts, One Blowout and a surprisingly competitive match in front of the Liverpudlians. Love that word. Rest assured however, that the Sweet 16 will be awfully more competitive than Round 2.

Rules and Criteria can be found here

SHUTOUTS
(1) Beatles v (8) Wolfetonnes. Oh it pains me so. This cruel fate for the Rebels, to go out in a bloodbath at the hands of the British, on English soil. I'd have liked to avoid the shutout in principle, but the fact of the matter is, nothing was even close.
FINAL SCORE: BEATLES 9 - WOLFETONNES 0

(2) Led Zeppelin v (10) Willie Nelson I initially had Nelson taking the impact. Then I realized I must have inadvertently been smoking what he was . Not a chance. 
FINAL SCORE: LED ZEPPELIN 9 - WILLIE NELSON 0



BLOWOUT
(3) Pearl Jam v (6) Rolling Stones. The Stones obviously take Impact. Pearl Jam obviously takes everything else. This 3 seed is sneaky good. Don't take them lightly. An epic matchup with Zeppelin awaits...
FINAL SCORE: PEARL  JAM 8 - ROLLING STONES 1

NAILBITER
(5) Johnny Cash v (12) Sublime. Sublime already knocked out one legend in Jimi Hendrix. Is the Man in Black next?  Even though I believe that Cash's American IV: The Man Comes Around was the best album of the past decade,   I ever so slightly favor 40 Oz To Freedom. Sublime takes the album. As much as I love JRC, the connection I have to Sublime spans just as long, probably includes more people, and some of my best memories, be it the first time I heard "Waiting for My Ruca" (of which I shall plead the fifth on details) or the shared laughs over the orgasmic "Uhhhhhhh" in "Caress Me Down" at my brother-in-law's college graduation bash. As much as I cherished getting out of class at noon on Wednesdays in my last semester and going out for beer and wings and listening to "Boy Named Sue", Sublime takes the connection. 4 Points.

I don't think anyone can argue Cash's historic impact or entire collection. There's his 4 points and making the tie breaker the "defining song". As much as I love Cash's "Hurt", most people consider it a Nine Inch Nails tune and we'll leave it at that. Conversely, my favorite Sublime song is a Grateful Dead cover in "Scarlet Begonias". So it becomes "Walk the Line" head to head "Waiting for My Ruca". And I can't fathom this, but using the methodology I set out with from the start, we have a major upset. I mean, Christ, I have Johnny Cash on my personal Mount Rushmore of great musicians. Looking at the bracket, I thought he had a shot to beat the Beatles. But we officially have ourselves a Cinderella.
FINAL SCORE: SUBLIME 5 - JOHNNY CASH 4.

Looking ahead to the Sweet 16:
(1) Beatles v (12) Sublime. We can no longer underestimate them.
(2) Led Zeppelin v (3) Pearl Jam. Epic, Epic matchup.

Monday, May 17, 2010

Music Madness: The Village Region: 2nd Round

Surprisingly, the second round has a lot less drama than the first in this region.  Born Again Bob wrote "Slow Train Coming" but there's nothing slow about Dylan's plowing through the field so far. He's looking like the undisputed favorite to reach the final four. The question is, will he shut-out all comers?

As usual, all Rules and Criteria can be found here

SHUTOUTS
(1) Bob Dylan v (9) Jack Johnson. Not a single category where the Hawaiian was anything close to competitive.
FINAL SCORE: Bob Dylan 9 - Jack Johnson 0

BLOWOUTS
(4) White Stripes v (5) Red Hot Chili Peppers. Wow, I did not see this one coming. I assumed this had the makings of a 5-4/6-3 win and would have put the Stripes as a slight favorite. But lining it all up, all they took down was "song" with "Ball and Biscuit" narrowly beating out "Under the Bridge" (which I already regret deeming their best). I had already determined that  Stadium Arcadium had beaten out  Elephant in the album category, and the rest pretty much fell into place for RHCP. A tough, tough loss for the Stripes. The Peppers now have the unenviable task of taking on the Dylan Machine.  
FINAL SCORE: RHCP 8 - WHITE STRIPES 1

(3) Bon Jovi v (11) Metallica. It was a coin-toss of sorts for the historical impact between the two, and it came up in favor of Metallica. Both have the longevity. Bon Jovi's more popular but that's not the point. Both are still alive and kicking while their contemporaries are collecting residuals from VH1's reality television department. Metallica also wins the "song" competition, thanks to The Greatest Closer in baseball history. But everything else goes Jersey.
FINAL SCORE: BON JOVI 7 - METALLICA 2

NAIL BITERS
(2) Guns N Roses v (7) Stevie Wonder. All categories but one were blowouts. And it was the one that was the deciding factor, despite the seed disparity. Stevie Wonder takes Historic Impact and Entire Collection with relative ease. The Guns lock down "Song" with "Estranged" and personal connection with little trouble. So it all falls on the Defining Album. Songs in the Key of Life against Appetite For Destruction. Two legendary albums you'll find on just about any "All Time" countdown. But when I really think about the choice, I Think About You, Sweet Child O' Mine. And the answer? It's So Easy. And all of a sudden, a viable threat to Bob Dylan emerges.
FINAL SCORE: GUNS N ROSES 5 - STEVIE WONDER 4.

The Sweet Sixteen in this region:
(1) Bob Dylan v (5) Red Hot Chili Peppers
(2) Guns N Roses v (3) Bon Jovi

Thursday, May 13, 2010

Music Madness 2010: San Francisco 1st Round

On the surface, this isn't that competitive a region, as the random placements of the seeds out here in San Fran seemed to spoil a lot of drama. Shame on that seeding committee in my head.

All Rules and Criteria can be found here

For the sake of expedience, I'm going to blow through the shutouts, which is 50% of this region, 9-0 for each of these matchups:

SHUTOUTS
(1) The Grateful Dead over (16) Smashing Pumpkins. Pumpkins not competitive in a single category.
(4) Bob Marley over (13) The Killers. Killers can complain about a poor seed and a poor draw, because they can be competitive in Song and Album against many. But not Marley
(6) Allman Brothers Band over (11) O.A.R. O.A.R just isn't as strong on paper as they are when I'm listening to them. Nothing sticks out. And that ain't a recipe for success against the Allmans.
(2) Bruce Springsteen over (15) Beach Boys. Why the hell were the Beach Boys even invited to the dance?

BLOWOUTS
(3) Simon and Garfunkel vs (14) The Pogues. I sincerely give the Pogues the Defining Song, as "Fairytale of New York" is arguable the greatest holiday song out there. Probably not, but in the Top 5. But that's it.
FINAL SCORE: SIMON & GARFUNKEL 8 - THE POGUES 1

NAIL-BITERS
(8) Janis Joplin v (9) Green Day. Janis sweeps the one pointers. In a close one, she takes the Historical Impact, having remained relevant (in my mind) to this day. She also brings down the Song as "Me and Bobby McGhee" ekes out "Holiday". Because of Mr. McGhee, that personal connection also goes to my favorite Texan (not a lot of competition). Christ that was such a go-to song in college (really, I'm in my 30s, not 50s, I swear). But Green Day's American Idiot gets revenge by beating out Pearl in the album category. Really was the quintessential album of the Bush Error. So what that means is all of this is comes down to who's got the better overall collection. And that's why it pays sometimes to not drop dead at 27.
FINAL SCORE: GREEN DAY 5 - JANIS JOPLIN 4

(5) Nirvana v (12) Motley Crue. Cobain and Company reluctantly take the Impact, regardless of how short it was. And they have to have the album with Nevermind edging out Dr. Feelgood. Side note: I always assumed Girls, Girls, Girls was better till I actually thought about it. Crue gets the song nod, with "Girls, Girls, Girls". Yes, for the most part I enjoy strong lyrics, depth, relevancy and societal observations. But there's also something to be said about the primal joy of a coke fuelled bender. Oh, and tits. Much to my wife's dismay, the Crue has the personal connection, as I've been listening to them at unhealthy decibels for parts of three four decades now. Finally it comes down to the deciding factor - again - of "Entire Collection". And while it's true, Vince Neill died before Cobain ever cut a single song, I reiterate that is pays to not drop dead at 27. We have an upset.
FINAL SCORE: MOTLEY CRUE 6 - NIRVANA 3.

(7) Eminem v (10) Cat Stevens. This is a funny matchup. But I'm tired. The Terrorist gets the Entire Collection and the defining song because "Wild World" is fucking awesome. But Eminem takes the rest down for the narrow victory. Very narrow, as The Eminem Show barely beats Tea for the Tillerman, I have a pretty solid personal connection to both, and the historic impact can be debated to a degree. But there's a group of artists very similar to Al-Cat. Slim? Not so much.
FINAL SCORE: EMINEM 5 - CAT STEVENS 4

Looking Ahead:
(1) Grateful Dead v (9) Green Day
(4) Bob Marley v (12) Motley Crue
(3) Simon & Garfunkel v (6) Allman Brothers Band
(2) Bruce Springsteen v (7) Eminem

Monday, May 10, 2010

Music Madness 2010: Charlottesville 1st Round

All Rules and Criteria can be found here

CHARLOTTESVILLE REGION: FIRST ROUND ACTION
(1) Dave Matthews Band v (16) Queen. Actually giving Queen the 1 point for "Historical Impact". Saving them from a shut out.
FINAL SCORE: DMB 8 - QUEEN 1

(8) Elvis Presley v (9) The Band. The King gets the Collection and Historic Impact. The Band gets album (Ophelia) and song ("Cripple Creek"). Personal connection is the deciding factor, and it goes to...Elvis. I was on a path to becoming one of those freaky candlelight-vigil-at-Graceland-people until I expanded my horizons musically (among other ways)
FINAL SCORE: ELVIS 5 - THE BAND 4

(4) U2 v (13) Poison. Brett Michaels' recent brush with his own mortality not withstanding, Poison wins the personal connection here. I've enjoyed them for what they are for over 20 years. But that's all they win. An Irish asswhoopin here.
FINAL SCORE: U2 7 - Poison 2

(5) Billy Joel v (12) Rage Against the Machine. A rare type of defeat, as Rage takes Album and Song and loses the rest.
FINAL SCORE: Billy Joel 6 - Rage Against the Machine 3

(3) Pink Floyd v (14) Arctic Monkeys. I loved the Monkeys' debut album. But it wasn't Dark Side. Shut Out.
FINAL SCORE: PINK FLOYD 9 - ARCTIC MONKEYS 0

(6) Phish v (11) Public Enemy. The easy parts: PE gets the Album, Fear of a Black Planet, and song "Welcome to the Terrordome". They also take the Historical Impact without any question. Phish, with their history, takes the collection. It comes down to Personal Connection. That's where it gets tricky. Try as I might to run from it, I can't deny the connection I've had with Phish over the last 15 years and change. Mainly because of my wife. But I have to be honest, even when it hurts. As much as I loved Terrordome during Fat-Out Fridays in college.
FINAL SCORE: PHISH 5 - PUBLIC ENEMY 4.

(7) Flogging Molly v (10) Jay Z. Molly takes album, Drunken Lullabies, and personal connection because they're so, well, Irish. Sean Carter takes down Impact, obviously, and the collection that goes with it. Defining Song is the tiebreaker, and in an upset, I just can't pick against "Empire State of Mind".
FINAL SCORE: JAY Z 5 - FLOGGING MOLLY 4.

(2) The Doors v (15) Dropkick Murphys. Not a good day for Irish-punk.
FINAL SCORE: DOORS 9 - DROPKICK MURPHYS 0

So when we finally get to round two, our matchups will be:
(1) Dave Matthews Band v (8) Elvis Presley
(4) U2 v (5) Billy Joel
(3) Pink Floyd v (6) Phish
(2) Doors v (10) Jay Z

This bracket looks heavily tilted towards the favorites, but you know what they say: "That's why I play these games in my head"

Wednesday, April 14, 2010

Music Madness 2010:Liverpool 1st Round

All Rules and Criteria can be found here

LIVERPOOL REGION: FIRST ROUND ACTION
(1) The Beatles vs. (16) Kings of Leon. Ringo beats them on his own. Next.
FINAL SCORE: BEATLES 9 ~ KINGS OF LEON 0

(8) Wolfe Tones vs. (9) Joan Baez. Who on the selection committee thought it would be funny to send the Rebellious Wolffe Tones to Liverpool? Tough matchup even if the score doesn't indicate it. Spent many a night falling asleep to Ms Baez back in the day and she may have the most beautiful voice on earth. I'm giving her "Song" for "Diamonds and Rust" and Historical Impact, but the Wolffe Tones are just that good that they sweep the rest.
FINAL SCORE: WOLFFE TONES 7 ~ JOAN BAEZ 2

(4) Johnny Cash vs. (13) Tom Petty. Strong case can be made that Petty deserved a better seed. And a  better fate. Generously, I give Petty the Song with "American Girl" and I'll even stretch it and give him Personal Connection for playing half-time of The Greatest Super Bowl in History, but the rest isn't even a contest. The Man in Black moves on.
FINAL SCORE: JOHNNY CASH 6 ~ TOM PETTY 3

(5) Jimi Hendrix vs. (12) Sublime. Gus Johnson's calling this one and he's losing control. Is there an upset in the making? Two careers that were shorter than they should have been. Hendrix narrowly takes the "Entire Collection" category, the big kahuna of them all and the 3 points to go with it. But 40 oz to Freedom takes the Album by a nose over Are You Experienced? Two cover songs go head to head for the Song point, with Sublime's "Scarlet Begonias" (Grateful Dead) beating Jimi's "All Along the Watchtower" (Dylan). Hendrix wins the Historical Impact hands down, taking a 4-3 lead and setting up Personal Connection (2 pts) as the deciding factor. And Lo and Behold, thanks to the many, many memories from 1996 - 2005 that I can recall, Sublime pulls it off. The importance of having a scoring system is clear now, cause my gut woulda said Jimi hands down.
FINAL SCORE: SUBLIME 5 ~ HENDRIX 4

(3) Pearl Jam v. (14) Radiohead. Warning to the Beatles and Led Zepplin: Beware the Jam.
FINAL SCORE: PEARL JAM 9 ~ RADIOHEAD 0

(6) Rolling Stones v. (11) Neil Diamond. I wanted Jewish Elvis to advance, I really did. Always found the Stones to be a tad overrated. I give the Diamond my Personal Connection and Song for "Cracklin Rosie" but that's as far as it can go. I guess You Can't Always Get What You Want.
FINAL SCORE: ROLLING STONES 6 ~ NEIL DIAMOND 3.

(7) Elton John v (10) Willie Nelson. Another nail biter. On the surface you'd think that Elton takes the Entire Collection, but then you realized that early in the 1980s, he got sober and started writing lame ass Lite FM 106.7 crap. Willie's always been Willie. Elton does take the Album for Goodbye Yellow Brick Road and song, "Mona Lisas and Mad Hatters". He also get's the Historical Impact. But the personal connection seals the minor upset for Willie Nelson. Every road trip I took from the age of 3 to 16, he was the soundtrack, and I've been trying to restart that tradition. Can't wait to take my kids on a 4 hour ride and torture them with "My Heroes Have Always Been Cowboys"
FINAL SCORE: WILLIE NELSON 5 ~ ELTON JOHN 4

(2) Led Zepplin v (15) The Ranonteurs. A sweep. Good for Jack White though, he's got to get some rest so he can try and carry the White Stripes to the Final Four.
FINAL SCORE: LED ZEPPLIN 9 ~ RACONTEURS 0

So when Liverpool starts up again, we're looking at:
(1) The Beatles v (8) Wolffe Tones. This one's going to hurt me. A lot. So cruel.
(4) Johnny Cash v (12) Sublime. Can Cinderella knock off another icon?
(3) Pearl Jam v (6) Rolling Stones. Stones have impressive stats. Beware the entire collection.
(2) Led Zepplin v (10) Willie Nelson. Personal Connection could be a factor.

NEXT UP: CHARLOTTESVILLE REGION. A quick preview of our next bracket:
(1) Dave Matthews Band v (16) Queen. Historical Impact is a weakness for this 1 seed. Personal Connection isn't.
(8) Elvis Presley v. (9) The Band. Honestly have no idea how this plays out.
(4) U2 v (13) Poison. A very strong 13
(5) Billy Joel v (12) Rage Against the Machine. This gives me a chuckle
(3) Pink Floyd v (14) Arctic Monkeys. British Civil War
(6) Phish v (11) Public Enemy. Another unintentionally funny matchup 
(7) Flogging Molly v (10) Jay Z. Ditto
(2) The Doors v (15) Dropkick Murphys. Jim and Co have a tough road.

Wednesday, April 7, 2010

Music Madness 2010: The Village 1st Round

It's the first full day of action live from the deep recesses of my brain. The Village Regional First Round Action is ready to commence. The overwhelming favorite in the region is the legendary Bob Dylan, who likely will beat any and all comers in the "Entire Collection" category, which in turn would give him a three point advantage off the bat.

This is a region of heavy hitters. Bon Jovi. Guns N Roses. The Red Hot Chili Peppers. All possess the ability to make it out of other regions. But slaying Bob the Giant is no ordinary task. Speaking of which, a bunch of burnouts from Jersey have the unenviable task of being the first to make such an attempt...

A reminder, all Rules & Criteria can be found here

VILLAGE REGION: FIRST ROUND ACTION
(1) Bob Dylan vs. (16) Skid Row. The Skids eeked out a play-in match against the Barenaked Ladies. There's something they can hang their hat on. This one's a clean 9-0 sweep.
FINAL SCORE: BOB DYLAN 9 ~ SKID ROW 0

(8) Beastie Boys vs. (9) Jack Johnson. This one goes down to the wire. The Beasties take the prize for Defining Album with License to Ill. Can't deny how good it remains to this day. Even the politically incorrect "Girls". They take the Defining Song points as well, as "Fight For Your Right" beats any single Johnson tune. And seeing that they're going strong in their 3rd decade and are widely considered pioneers, they get the Impact point. Johnson fights back strong with Personal Connection however, despite having a 20 year disadvantage. For the last 5 years, Jack's been the go-to-guy for a mellow Sunday morning cup of coffee, a breezy Saturday afternoon on my deck, or a hungover car ride home from a hotel.
The big prize is still out there: 3 Points for "Entire Collection". As great as the Beasties are, as great as they've been, the Hawaiian takes this down. His entire catalogue - even if it's only a fraction of the Beastie Boys' - is nearly blemish-free. For the past decade he's churned out nothing but solid, borderline great music. And he pulls off the upset.
FINAL SCORE: JACK JOHNSON 5 ~ BEASTIE BOYS 4

(4) White Stripes vs. (13) Notorious B.I.G. This is a weird matchup, isn't it? The clearest advantage is Biggy's "Historical Impact". It's kind of an unfair advantage when you're shot to death. Ask Bobby Kennedy, whom you'd think was one of the best presidents ever, aside from the fact that he wasn't even nominated to run for president, let alone elected as such. I'm also giving the Notorious one the Song category, as Big Poppa squeaks past Ball and Biscuit. In short though, the Stripes are sweeping the rest behind the strength of their collection as a whole, "Elephant" as album, and the fact that they were an integral part of the soundtrack of my late 20s and early 30s.
FINAL SCORE: WHITE STRIPES 7 ~ NOTORIOUS B.I.G. 2

(5) Red Hot Chili Peppers vs. (12) Aerosmith. Aerosmith jumps out to a lead by winning the Song, as "Dream On" defeats "Under the Bridge" (I had a bitch of a time here, with "Scar Tissue", "Snow", "Apache Rose Peacock" and others in the running), but the Peppers run the table and turn this into a blowout by way of Album (Stadium Arcadium), Collection, Connection, and Impact, which I debated, but stand by.
FINAL SCORE: RHCP 8 ~ AEROSMITH 1 

(3) Bon Jovi vs.  (14) Counting Crows. Pump your fists New Jersey, you got yourself a clean sweep.
FINAL SCORE: BON JOVI 9 ~ COUNTING CROWS 0

(6) Black Crowes vs. (11) Metallica. From the top, Metallica takes the prize for Collection. Barely, but they do. Crowes claim Album, as Amorica narrowly defeats Metallica (Black Album) - which I never thought was as good as Justice...For All till I really considered it. Personal connection goes to the Crowes, namely for "Wiser Time" and all it's meant to me. With an assist from Mariano Rivera, "Enter Sandman" is declared the head to head song victor. We're at an even 4-4 score going into Historical Impact, and I think it's safe to say, we have our first somewhat big upset.
FINAL SCORE: METALLICA 5 ~ BLACK CROWES 4

(7) Stevie Wonder vs. (10) The Who. Fans of the British Conference are furious at The Who's seeding here. But they should be glad that they weren't set up for the upset. Damaged by a piss poor performance at the Super Bowl - the absurdity of singing "My Generation" when you can collect social security checks, and the tie-in to the CSI Franchise, they haven't done themselves many favors of late. Still, an intriguing matchup as they're able to claim personal connection despite all that (credit my own British Invasion of 1996-1999, who cares if it was 30 years too late), and the Song by way of "Baba O'Reilly". But on the strength of his own historical impactthe landmark album Songs in the Key of Life, and a better overall collection even if there's a little too much fluff, Stevie Wonder clinches this one.
FINAL SCORE: STEVIE WONDER 6 ~ THE WHO 3

(2) Guns N Roses vs. (15) Weezer. Initially I gave Weezer the credit for Entire Catalogue, reason being they're still making albums, while GNR mailed it in after Use Your Illusions II - and Illusions I wasn't that special anyway. Then I thought about it, I listened to some select tracks all over again, and realized Weezer's entire collection doesn't even match up to the B-Side of GNR Lies - to say nothing of Illusions II and Appettite For Destruction. Given all that, it's no surprise that this is a shutout.
FINAL SCORE: GUNS N ROSES 9 ~ WEEZER 0

-----------------------

When Round Two of the Region begins sometime next week, the matchups will be:
(1) Bob Dylan v (9) Jack Johnson
(4) White Stripes v (5) Red Hot Chili Peppers
(3) Bon Jovi v (11) Metallica
(2) Guns N Roses v (7) Stevie Wonder

At first glance it looks very favorable for the big seeds and that 4/5 matchup is tasty, going to have to send Gus Johnson to call that one. Can Metallica ride "Enter Sandman" to pull off the upset? Will Jack Johnson avoid a shutout? Does the winner of the Stripes/Peppers game have the ability to make a run at the prohibitive favorite? Who wins out between the blind versus the bat-shit crazy?


Next up is the Liverpool Region, here's the updated bracket

Tuesday, April 6, 2010

Music Madness 2010: Intro,. Preview, and Play-Ins

Ignoring the fact that I'm too old to stay up till midnight on a work night, the NCAA Men's tournament that just concluded was by far the most invigorating and entertaining of my lifetime. Of all the years I've dove into March Madness, be it cutting high school, skipping college classes or taking sick days and vacations in my professional life, I've never seen anything like it. The right balance of underdogs and juggernauts. The buzzer-beaters and new heroes. The rise of Butler and the fall of Callipari. These last three weeks were a sports fan's prime rib buffet with all-you-can-drink Guinness. I don't want it to end.

So I'm going to stay in tournament mode.

On a recent commute, I started thinking about what would happen if I were to come up with 64 musicians and seeded them. How would it play out? What would be the criteria? Would it be a pointless waste of time to decide that Bob Dylan was my favorite artist of all time? Yeah, it might be. Then it dawned on me, hell, there's nothing I enjoy more than a good old fashioned waste of time, so who gives a Bush's ass? It was decided that yes indeed, it was time to study the iPod and form a one man selection committee and come up with what I would consider to be my 64 favorite acts of all time (though I limited it to post-WWII genres).

Actually it became 68. I figure  the NCAA has a play-in game for the 16th seed, I'll have 4 of them for each sixteener. I seeded the teams - loosely to a degree - based off what I perceive to be my personal preferences, then randomly assigned them to a region. For good measure, the region was named after the 1 seed's actual or adoptive hometown.

The Number One Seeds:
Liverpool Region: The Beatles
The Village Region: Bob Dylan
Charlottesville Region: Dave Matthews Band
San Francisco Region: The Grateful Dead


The next step was to determine a list of criteria. I didn't want to go "Well, I like Public Enemy more than Smashing Pumpkins, so they move on". Afterall, if that was the case the whole thing would have been done the minute I finished seeding them all. I wanted something comprehensive and tangible to have an artist defeat an artist. I like tangible explanations, not a fan of "just because" as you probably know by now.

I came up with a scoreboard with 5 Criteria, worth a total of 9 points to ensure no ties:
  • Entire Collection (3 Points): Lined up against each other, who has a better collection overall.
  • Defining Album (2 Points): If you take each artists' best work, which is better. I'm going to try and make it a blend of personal choice and conventional wisdom. They don't always agree. But once an album is settled on for each artist, that will be the album that they have for the entire tournament.
  • Personal Connection and Memories (2 Points): The most subjective criteria of them all and the most random. I'm curious to see how this plays out during this colosal waste of time. It's also the reason I didn't include Meat Loaf.
  • Defining Song (1 Point): Same as album, on a smaller scale.
  • Historical Impact (1 Point): Which artist has made a bigger impact on music history and our culture as a whole? It's probably the most objective of them all. Regardless of the other criteria, you can't argue that Billy Joel has had a bigger impact than Sublime. However, it's only 1 point and that shouldn't dramatically alter anything.
As with any tournament, honorable mention must be given to the bubble teams that didn't quite make the field, so pour yourself a pint and toast to Madonna, Garth Brooks, James Taylor, Meat Loaf, and Def Leppard. While we're at it, some fan favorites that The Committee is thoroughly unimpressed with include Coldplay, Sting/The Police, The Eagles, and Michael Jackson.

Let the Games Begin:
The Village Regional Play In Game: Skid Row vs Barenaked Ladies.
A true nailbiter between two vastly different acts with very similar qualities. Both fit the popular mold of a late decade genre, BNL with 90s fluff-rock and Skid Row with 80s hair-metal. The Ladies won for their Entire Collection, primarily because after Skid Row's self-titled debut,  their follow-up album, Slave to the Grind rivaled child abuse on the Despicable Chart. BNL also captured Defining Song with "One Week" over "Youth Gone Wild". Yes, I'm ashamed to admit that. However that was all the Canadians could muster, as Skid Row took home Defining Album (Skid Row over Stunt), Personal Connection (I had a 6 foot long poster of them on my closet, as entertaining as the 1999 BNL concert on Long Island was), and Historical Impact, cause well, hair metal rules.
FINAL SCORE: SKID ROW 5 ~ BARENAKED LADIES 4.
Congrats Sebastian, you get to get your ass whooped by Dylan.

Liverpool Regional Play In Game: Kings of Leon vs Warrant
The Committeerespected glam rock in terms of their right to be in the dance, but Warrant makes it two members of the hairband conference that had to play an extra round just to be a 16 seed. KoL took down Entire Collection (easily - a big weakness for the hair bands), Defining Album, and Historical Impact (cause we don't count Jani Lane's appearance on Celebrity Fat Farm). Giving Warrant points for Song (Heaven) and Personal Connection (Mad respect for 1989) wasn't enough.
FINAL SCORE: KINGS OF LEON 6 ~ WARRANT 3


Charlottesville Regional Play In Game: Incubus v Queen
Incubus won the Album category by virtue of "Light Grenades" beating anything Queen had to offer (outside of their Greatest, there's nothing that jumps out at me) but the jolly flamboyant men of Queen ran the table everywhere else. I expected this to be closer.
FINAL SCORE: QUEEN 7 ~ INCUBUS 2

San Francisco Regional Play In Game: Modest Mouse vs Smashing Pumpkins
Proving to me that the criteria will make things interesting. If you stopped me on the street and asked me to pick between these two, I'd probably say "God that Billy Corgan is a stupid self-serving prick, and I enjoy me some MM". But the box score says something different. Mouse's Good News... won the Defining Album, but the Pumpkins have the collection, the connection (fun, not so innocent times driving around when I was 17), the song ("Disarm") and unfortunately, the impact. A shocking personal upset and a bloodbath:
FINAL SCORE: SMASHING PUMPKINS 7 ~ MODEST MOUSE 2

Now that we have our 64, here's the Full Bracket

I look forward to wasting many, many more hours on this.