Tuesday, July 13, 2010

Music Madness: Charlottesville Sweet 16

Slowly, slowly, slowly getting through this. The end is near. Not really, but it's that much closer. And it shall be even closer after I blow through these two interesting matchups.

Box Score Keys: EC (Entire Collection - 3 pts), DA (Defining Album - 2), PC (Personal Connection - 2), DS (Defining Song -1), HI (Historical Impact -1)



(1) Dave Matthews Band v (5) Billy Joel
How They Got Here:
DMB: def (16) Queen 8-1, (8) Elvis Presley 8-1
BJ: def (12) Rage Against the Machine 6-3, (4) U2 5-4
Box Score:
EC: Admittedly a strong case could be made for either. Billy Joel cut his last new album (River of Dreams) within months of DMB's first (Remember Two Things). In the last 5 years, I've drank overpriced beer in the presence of both. However, there are so few chinks in Matthews' armor, and they've kept on keepin on for so long now that despite the tough competition, this one goes their way. ADV: DMB
PC: I got my first Billy Joel album, Storm Front, for Christmas in 1989. Early in 1990, I bought the double-cassette Greatest Hits Volumes 1 & 2. Remember those bulky motherfuckers? They wouldn't fit in a standard cassette holder/case unless it had a few slots specifically defined for them, hence making it impossible to sort your collection in any semblance of order? Reason #175 why I prefer digital music collections. Back to the point. Billy carried on through high school and college, the collection of impacting tunes litters my memory: "Piano Man", "Goodnight Saigon", "Scenes from an Italian Restaurant", "Only the Good Die Young", "Downeaster Alexa" and so on and so forth. But Matthews is something different. Something spiritual. I'll explain in the next round, because by taking this  category, he's already advanced. 
ADV: DMB 
DA: In the list of Sweet 16 defining albums, The Stranger checks in at  14. Crash makes the Top 5. ADV: DMB
DS: "Piano Man" may not be my favorite BJ tune, but as I had previously mentioned, sometimes the song picks the artist. He's known as The Piano Man for Christ's sake. An artist like DMB, there's more latitude - which isn't always a good thing because trying to come up with one is a recipe for spending $5 on a bottle of Excedrin. I went with "Two Step", and it checks in at #4. 11 spots ahead of "Piano Man" ADV: DMB
HI: DMB's yet to win this and this is their best chance yet. However, stepping away from my bias, Billy Joel ranks among the best of the singer/songwriters that defined much of the 1970s. Actually, he is THE best. The Piano Man avoids the shutout. ADV: Billy Joel
 
FINAL SCORE: DAVE MATTHEWS BAND 8 - BILLY JOEL 1
 
 
(2) The Doors v (3) Pink Floyd
HOW THEY GOT HERE:
DOORS: def (15) Dropkick Murphys 9-0, (10) Jay-Z 5-4
FLOYD: def (14) Arctic Monkeys 9-0, (6) Phish 9-0
 
EC: What a battle of heavyweights we got going on here. Starting with this category and extending all the way through, these are almost as close as you can get - nothing comes easy. Obviously neither is contributing to their collections anymore (or recently for that matter) but there's no way to over-state how stellar both are. The Wall. L.A. Woman. Dark Side of the Moon. The Soft Parade. Wish You Were Here. The Doors. Animals. How do you pick a winner here? I'm going Doors but if you disagree, I don't blame you. Tomorrow I could say Floyd. I just think every single Doors album is a masterpiece. Then again, most Floyd is too.
ADV: Doors
DA: Another one that's  very close. I have Dark Side of the Moon three spots ahead of The Doors. And I feel dirty about picking against either.
ADV: Pink Floyd
PC: Oh I don't know how strongly I can go into my personal connection to Pink Floyd, this being the Internets and all. Just take my word for it. Especially if you ever spent 6 hours sitting in a Pine Hall bathroom with the black light on listening to Pulse. The Doors, different story. It was actually the Oliver Stone 1990 movie that turned me on to them. For the first time ever, I was seeking out music that wasn't played on Z-100 or Power 95. I was chastised by nuns for making Jim Morrison the centerpiece of an art project. Fucking nunts. I'm not saying they're the most influential band of my life, but they were personal pioneers. They take this down, and with it, they move on.
ADV: Doors
DS: Just as close as personal connection. I barely, barely, barely have "The End" edging out "Shine On You Crazy Diamond". So barely. If it were anymore bare, it would be arrested for indecent exposure.
HI: Yet another tight one. And really, I feel horrible for Pink Floyd because they're coming up short in the box score but each category was so close. I think the Doors were the first ever "Fuck You" band. And I like that. ADV: Doors
 
FINAL SCORE: THE DOORS 7 - PINK FLOYD 2
 
 
 

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